This evocative painting, titled after a line by Juliusz Słowacki, draws from the poet’s depiction of the Polish gentry nobility as a class: beautiful and proud, yet fragile and weak. Podgórski juxtaposes this literary symbolism with references to old master still-life painting, blending a modern, impressionistic portrayal of Warsaw’s skyline—including the controversial Museum of Modern Art—with the ornate depiction of a fallen peacock, reminiscent of 17th-century vanitas.

The lifeless peacock, surrounded by vibrant yet ominous toadstools, serves as a multifaceted metaphor. On one hand, it critiques consumption and materialism, suggesting humanity’s downfall if consciousness does not expand. On the other, the toadstools may hint at a potential for transformation, urging viewers to reflect on whether our path leads to renewal or destruction.

This work establishes a poignant dialogue between modernity and tradition, both in its subject matter and painting techniques. By marrying the impressionistic urban backdrop with the meticulous detail of the still-life peacock, Podgórski navigates themes of identity, heritage, and survival in the face of modern challenges. It is a cautionary and aspirational vision, challenging viewers to decide what kind of legacy we wish to leave behind.

Malwina Łuczyńska